![]() Sample footage credit goes to Moc Nguyen. These LUTs work in Final Cut Pro X as well as in Adobe Premiere Pro, After Effects, and DaVinci Resolve. Remember to set correct settings while using RAW footage format. Canon R56Arri has saturated red and film blue and green shade. Y ou can add some contrast or saturation but it’s on your side. Here’s an example, an interview shot in front of a window. I often find that dialing in 60-80 percent of the effect is just about right. Using LUT Utility, you can adjust the effect from zero to 100 percent. I prepared it so that after aplying to footage recorded in a flat profile on your Canon C70, R5, R6camera, C_log, C-Log2, C_log3 – right away. Adjust LUT intensity to get desired look. You can take a look at the comparison bellow. C-log is translated to ARRI’s Log_c color space and gamma. It maintains the skin’s natural color with a look that is known from arri alexa cameras. I tried to make the most film-like appearance while maintaining the characteristic roll-off and dynamic range. I found an older version of the LUT file from Canon and this one has Cinema clog (1) LUTs. Edit: I found a LUT file from 2017 that has the cinema clog (1) LUTs. I dont want to pay for LUTs if theres a Canon official LUT available. footage as long as you expose footage correctly and record in Canon Cinema Gamut color space.Ĭanon Log – is good when you have mixed footage and using your different Canon cameras.Ĭanon Log2 – has more noise than Clog and Clog3 but has more dynamic range and you can grade it havily.Ĭanon Log3 – is some kind of hybrid between clog and clog2, its more contrasty but has lot less noise in the shadows. Thats the standard clog mode on the R5 and it seems crazy that they wouldnt provide a LUT for it. I think is very good starting point for your color grading. Canon has Look Up Tables (LUTs) on their website for their Cinema EOS line of cameras the C100, C300 and C500. This REC709 LUT is my favorite way to get my CLOG3 footage in the right color space to then grade on top of. ![]() These luts like any luts will require slight adjustments. ![]() It also works with your CANON C70 Cameras. Luts should be used as a tool not a crutch Every single image is slightly different in framing, color, and lighting. ? Hello Filmmakers! In this package you will find 4 LUTs custom created by Static Motion.
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